Warner’s Safe Cure: Artist’s Album (1888) – Part II

The Artist’s Album features some terrific graphics of both the Warner product line and its spurious claims. It is perhaps appropriate to start at the beginning with Safe Cure. It harkens back to the business that made Warner his first millions, the fireproof safe business. He modestly proclaims that he was “formerly the largest Safe dealer in the world” and provides the reader with a list of his available products.

Warner then moves on to another one of his original line of cures, his Diabetes Cure.  He distinguishes the two types of diabetes, insipid and sweet and notes the symtoms. However, he noted that the Diabetes Cure should not be used for kidney ailments, use only Safe Cure.

Next was the Rheumatic Cure, which also was supposed to be taken in concert with Safe Cure and Safe Pills. The claim promises that the “most obstinate rheumatic disorders disappear” if the treatment is maintained long enough to produce effects. I am not sure how long, “long enough” is, but I would venture a guess that it is more than one bottle. It is also worth noting that one of the testimonials accompanying this portion of the Album is from Mrs. Carrie D. T. Swift of East Avenue in Rochester.  One might surmise that she was the wife of Warner’s chief astronomer, Lewis Swift. Nothing like a little family support.

The next featured standard cure was the Nervine, which Warner sold to those whose nerves were too frayed to produce a good night’s sleep.

This represents the first portion of the Artist’s Album and the bulk of Warner’s original line of cures. The remainder of the Album deals with other Warner remedies including his Log Cabin Remedies and his Tippecanoe Bitters. I will feature the remaining portions in a future post. Thanks again to Jon Moran for the images.

Warner’s Safe Cure: Artist’s Album (1888) – Part I

If you have been following this blog for even a short amount of time, you have undoubtedly come to the conclusion that collecting Warner’s Safe Cures extends beyond just the bottles. Warners collectors are blessed with an enormous array of advertising paper and other ephemera produced by one of the great proprietary medicine companies of  the late 19th and early 20th centuries. H. H. Warner missed few, if any, opportunities to plaster the reading public with his brand, whether by almanacs, newspaper ads, posters, cookbooks or puzzles and games. This list is extensive.

Having said that, the question becomes which examples of his advertising best informs us of the enterprise. By my way of thinking, his almanacs and other publications give us one of the most complete pictures of his pitch to an American public desperate to cope with disease in an age where real, medically competent physicians were indeed rare. Among his publications, one of the best has to be his Artist’s Albums. I say “albums,” because there were actually two. While one of the two is distinctly more rare than the other, both are terrific examples of his marketing. The version with Santa Claus going down the chimney (above) is the more common of the two, while the version with the boy sitting on the log (below) is rare.

Unlike other Warner’s Safe publications that were printed by Mensing & Stecher, the Artists’ Albums were printed by Cosack & Company of Buffalo, New York. The back cover of both albums featured a box of Log Cabin Sarsaparilla.

Apart from the terrific graphics, the Artists’ Albums feature the most comprehensive catalog of the Warner’s Safe Cure inventory as it existed in 1888. The featured products included Safe Cure, Rheumatic Cure, Diabetes Cure, Nervine, Tippecanoe – The Best, Asthma Cure, Safe Pills, Benton Hair Grower, Animal Cure, Log Cabin Sarsaparilla, Log Cabin Hops & Buchu Remedy, Log Cabin Cough & Consumption Remedy, Log Cabin Hair Tonic, Log Cabin Extract, Log Cabin Plaster, Log Cabin Rose Cream, Log Cabin Liver Pills and Safe Yeast.  Each of the products was discussed and a facsimile of the package was included. The next part of this post will feature some of those articles.

The Artists’ Albums were issued at about the time that Warner’s medicine empire reached its peak. Over the period of the next five years, Warner went from proprietary medicine mogul to financial collapse and public humiliation. These publications provide us with a glimpse of the types of products pitched to our great grandparents.

Special thanks to Jon Moran for reminding me of the uniqueness of the Artist’s Album and providing me with scans of its contents.

Warner’s Safe Rheumatic Cure – American Bottle Auctions

This exceptionally nice example of a labelled  Safe Rheumatic Cure was sold on American Bottle Auctions recently. The presence of a label in good condition really adds an extra dimension to the bottle and gives you a feel for the types of claims made by Warner. All that for $1.25 a bottle.

Warner’s Safe Cure: Digging “Down Under”

One of the things I’ve always wanted to do, but have never done is to dig a Warner’s Safe Cure.  A garden variety Kidney & Liver Cure would do. I’m not picky. Just the thrill of seeing that profile of a safe  emerge from a trash pit would pretty much do me in.  Truly buried treasure.  Recently, I discovered a website that I recommend to you called The Australian Antique Bottle Forum.  This great site brings together all manner of bottle collectors from down under. Needless to say, I had to check out the Warner’s collectors and, to my delight, I found quite a few.

One of the posts that immediately caught me eye was on Warner’s Safe Cures that had been recently dug. Feast your eyes on these beauties from the Melbourne and Dundein (4-Cities) Offices. Did I happen to mention that all of these came out of one hole?  I need to go digging with Steve. 

Okay, let’s see.  Melboure and 4-Cities Safe Cures in various shades, two Melboure Safe Medicines,  two 4-Cities Diabetes Cures (rare),  two Melbourne  and one 4-Cities Rheumatic Cures (really rare),  a Melbourne Safe Nervine and a Safe Remedies and three H. H. Warner & Co. Ltd. bottles. What else do you need?  If I had been in that hole, I would have passed out. Really nice stuff. Keep those great Warner’s coming!

Warner’s Safe Cure Collections: Wayne Wood

One of the pleasures of putting together the Warner’s Safe Blog is that I have had a chance to meet (virtually) many Warner’s collectors from around the world. In the future, I hope to feature some of their collections to show the incredible variety of Warner’s Safe Cures out there.

Recently, I got an email from Wayne Wood from  Essex, England. Wayne sent me some photos of his Warner’s collection that includes some nice Londons. Thanks Wayne.

Warner’s Safe Cure: A Chronology

I thought I would take a shot at creating a time line that summaries the significant events in the existence of the Warner’s Safe Cure Company and its founder, H. H. Warner. I’m sure that I will miss something and welcome any suggestions. This will likely be a work in progress, but here goes:

• 1842    Hulbert Harrington Warner born near Syracuse, New York in a small town called Warners, which was named after his grandfather, Seth, who had moved there in 1807 from Stockbridge, Massachusetts.

• 1864     Warner marries Martha L. Keeney, a prominent young woman from Skaneateles, New York. Like Warner, she was born in 1842, but died suddenly in 1871. The marriage produced no children. 

 

• 1865    Warner avoided service in the Union Army in the Civil War. He moved to Ann Arbor, Michigan where he and a partner were engaged in the stove and hardware business.

• 1870     Returned to New York and settled in Rochester as a dealer in fire and burglar proof safes. He was a dealer for the predecessor of the Mosler Safe Company of Cincinnati, Ohio. (See New York Daily Graphic, May 10, 1888; Rochester Union & Advertiser, April 27, 1883).

• 1872     Warner marries Emily Olive Stoddard (born 1847 in Michigan). It appears that this second marriage produced one child, a daughter, Maud. It also appears that Emily predeceased Warner.

• 1879     Following his recovery from Bright’s Disease, Warner purchases the rights to Dr. Charles Craig’s Kidney Cure and promptly begins to market it as Warner’s Safe Kidney & Liver Cure. In addition, he offers four other products: Safe Pills, Safe Nervine,  Safe Bitters and Safe Diabetes Cure. The company operates initially out of a building on Exhange Street in downtown Rochester.

• 1879     Warner is introduced to “Doctor” Lewis Swift, who was by vocation a partner in a hardware store and by avocation an astronomer who has discovered several comets. It was rumored that Swift was leaving Rochester, because he believed his talents were not sufficiently appreciated.

• 1882     Warner opens his Toronto Office and offers his cures in the 3-Cities bottles.

• 1883     Warner opens his London Office and begins offering his cures in a spectacular array of colored bottles.

• 1883     The Warner Observatory is completed and fitted out by January at a cost to Warner of $100,000. It boasts a 16″ telescope that was 22 feet long donated by the citizens of Rochester. It becomes a focal point of much of Warner’s advertising.

• 1884     The Warner’s Safe Remedies Building is opened on Warner’s 42nd birthday in January on St. Paul’s Avenue in Rochester. The iron front building was also marketed as the Warner’s Safe Yeast Building and in its eight stories housed Warner’s manufacturing, shipping and marketing operations. The fascade is graced with the monograms “W” and fitted out with first class details. The building remains today as the last vestige of Warner’s patent medicine empire.

 

• 1885     Warner adds his Safe Rheumatic Cure, Animal Cure and Safe Throatine to his product line. In addition, he introduces his Tippecanoe Bitters in two grades, “The Best” and “XXX” and phases out his Safe Bitters.

• 1887     Warner introduces his Log Cabin Remedies line of products, which included Log Cabin Sarsaparilla, Log Cabin Hops & Buchu Remedy, Log Cabin Cough and Consumption Remedy, Log Cabin Extract, Log Cabin Rose Cream, Log Cabin Hair Tonic, Log Cabin Plasters and Log Cabin Liver Pills.

 

• 1887     Warner opens his Frankfurt, Germany and Melbourne, Australia Office expanding his patent medicine empire onto three continents.

• 1888     Warner delivers his inaugeral address as president of the Rochester Chamber of Commerce in January.  Warner had been elected president in 1887 winning out over George Eastman, the owner of a little known camera company. Warner is perhaps at the peak of his prosperity with business failure and bankruptcy looming on the horizon.

• 1888     Warner opens his Pressburg, Hungary Office, which remains open only two years. Bottles from the Pressburg Office are particularly prized by collectors because of their rarity.

 

• 1891     Warner opens his Kreuzlingen, Switzerland and Dundein, New Zealand Offices. No Warner bottles embossed Kreuzlingen have ever surfaced. The bottles from the Dundein Office have become known as 4-Cities bottles because they bear the names of four of Warner’s offices at the time: Rochester, London, Toronto and Melbourne.

• 1893     In what would become known as the Panic of 1893, the American securities market crashed in February. Warner was overextended and when his creditors began to call his loans, he scrambled to raise cash. Warner’s longtime business partner, Arthur G. Yates, was unable to cover all of Warner’s debt. Warner was left to travel the country trying to offer his shares in H. H. Warner & Co. Ltd. as collateral for his debts. While some creditors accepted the shares, others did not, and Warner was forced into bankruptcy  on May 8. He lost his mansion on East Avenue, his Observatory, his yacht, his retreat on Warner Island in the St. Lawrence River and, most importantly, his reputation.

 

• 1917     Christina de Martinez Warner (born 1878 in Mexico) was never officially married to  Warner, but apparently resided with him and served as an officer to the Nuera Remedy Company in Minneapolis in the 1930′s to early 1940′s. She resided at his address of 1311 Blaisdell Avenue in Minneapolis between 1917 and 1948.

• 1923     Warner dies in Minneapolis having never regained the economic prominence he enjoyed when the the Warner’s Safe Remedies Company was at its peak. To his credit, he never quit trying to reestablish his former renown. Warner is buried next to his first wife, Martha, in her family’s plot at Lakeview Cemetary in Skaneateles, New York.

• 1929     The Warner Mansion on East Avenue in Rochester is razed to make way for a parking lot.

Warner’s Safe Rheumatic Cure

Rheumatism is one of those nonspecific diseases that I have always associated with elderly people. Another way of saying aches and pains. Dorland’s Medical Dictionary (27th Ed.) defines it as:

[A]ny of a variety of disorders marked by inflammation, degeneration, or metabolic derangement of the connective tissue structures of the body, especially the joints and related structures, including muscles, bursae, tendons and fibrous tissue. It is attended by pain, stiffness, or limitation of motion of these parts. Rheumatism confined to the joints is classified as arthritis.

Like I said, aches and pains. Apparently, rheumatism concerned folks in the 19th Century enough that they were willing to part with their hard earned dollars for the promise of relief from any number of patent medicine proprietors, including H. H. Warner.

In the world of patent medicine, most illnesses were the result of some affliction of the blood or the kidneys. Rheumatism was no exception. In his 1888 Artist’s Album, Warner devoted an entire page to Rheumatism saying “RHEUMATISM IS A BLOOD DISORDER AND MUST BE REACHED THROUGH THE KIDNEYS IN THE BLOOD.” (See above). The ad goes on to attribute this so-called blood disorder to “an acid condition of the kidneys caused by bad stomach action, indigestion, and false action of the kidneys and liver in blood purification.” It finally promises relief through alternating use of Warner’s Safe Cure and Warner’s Rheumatic Cure.

On an interesting note, if you look at the bottom of the page, you will see a testimonial for Rheumatic Cure attributed to Mrs. Carrie D. T. Swift of East Avenue, Rochester, NY. I suspect that she was the wife of Professor Lewis Swift, the astronomer who ran the Warner Observatory. Certainly, Mrs. Swift would have been motivated to support the products of her husband’s benefactor.

Warner’s Safe Rheumatic Cure was also the subject on one of Warner’s early trade cards depicting a poor soul with both feet bandaged and elevated and being attended by a lovely Victorian woman with Cure in hand. This card has no written pitch save that depicted on the box of Safe Rheumatic Cure on the lower right hand corner of the card. Obviously, the message of the card was thought to be self-expanatory.

The label on the bottles also offered relief from Sciatica, Lumbago and Gout. Indeed, most people associate the use of foot bandages as indicative of gout rather than rheumatism. The Rheumatic Cure must have been a good seller, because it migrated to most of Warner’s foreign offices including London, Frankfurt, Dundein and Melbourne. For whatever reason, the Toronto (3-Cities) and Pressburg Offices did not issue a Rheumatic Cure. As with most of the Warner’s Safe Cures, regulation gave rise to the use of “Remedy” rather than “Cure,” although the claims remained largely the same.

Warner’s Safe Cure: Beautiful Londons!

Those of you that have followed this blog know that I have, on occasion, expressed my humble opinion that the Safe Cures from London are my personal favorites, because of the array of colors in which they appear. Mind you, I am not dismissing the importance or desirability of Warner’s from any of the other foreign offices, only noting that the title for the widest and most varied selection of colors belongs to the Brits.

Usually one has to see of display at a bottle show or in someone’s home to really appreciate the beauty of these bottles when displayed alongside one another. Every once in a while, such a display appears on the internet and deserves a second look. Recently, a British collector listed a selection of London gems on eBay and offered up some great pictures. Here, with the persmission of andrewb6296, is a second look. Cheers!

Warner’s Safe Cure: Slug Plates

From time to time, you will hear bottle collectors refer to the term “slug plate” in their description of a particular bottle, usually one that is BIMAL (“blown in mold applied lip”). In his Glossary of Antique Bottle Terms, Reggie Lynch defines a slug plate as a “metal plate inserted into a bottle mold to provide product specific info to an otherwise generic mold. Also refers to the mark left on a bottle by such a plate.” Slug plates were fairly extensively used by bottle manufacturers probably as a cost saving measure to allow them to customize a particular bottle for a patron without having to create an entirely new mold.

Slug plate marks turns up on a variety of Warner’s Safe bottles beginning with Warner’s intial offerings, which were manufactured for him by the Chambers Works in Pittsburg. See Warner’s Safe Cure: The Early Bottles and Warner’s Safe Cure: Bitters. Warner’s early bottles featured, among other things, a full slug plate. Apparently, when Warner ordered a particular type of bottle, whether it be his Safe Kidney & LIver Cure or his Safe Bitters, the Chambers Works simply put that particular slug plate in the generic mold and turned out whatever quantity was ordered. The imprint of the full slug plate is obvious on the face of the bottle and serves to mark it as one of his early variants valued by collectors.

If you think the slug plates were limited to Warner’s early Rochester bottles, you would be wrong. Although the full slug appears unique to the early bottles, Warner and those from whom he purchased his bottles, used slugs in later bottles. It appears that those slugs served two principal purposes, they allowed Warner to alter that name of a particular product contained in a bottle (e.g. Nervine for Safe Cure) and to alter the foreign office using the mold (e.g. Frankfurt for London). As was mentioned earlier, the bottles for the Melbourne office were initially manufactured in the United States and shipped to Australia given the primitive state of bottle manufacturing at that time. A couple of examples that demonstrate Warner’s use of slug plates in this fashion are the Frankfurt half pint Nervine, which was clearly slugged from the mold of the London half pint and bears the rectangular slug mark to prove it. Another is the early Melbourne bottles which show that the word “Melbourne” is slug plated in, probably from a mold otherwise used for Rochester or perhaps London bottles. These are but a couple of examples and others exist. Indeed, they represent an interesting and, undoubtedly unintentional, fingerprint of bottle makers of the time.

Thanks to Ed Ojea for the photos comparing the half pint Frankfurt with the half pint Londons, which clear show the slug marks.